I read that haiku is much more than the 5-7-5 syllable structure we learnt at school and can take many forms, but I'm still drawn to that simple discipline of 5-7-5 and the challenge of finding the best set of sounds to capture something fleeting or profound. Steve Earle also insists that he follows the Japanese tradition that every haiku refer to a season somewhere in each poem. I don't know that mine do.
My favourite was one I wrote for my good friend Pauline Peel when she resigned from her job in the Brisbane City Council (BCC) where she had reached the dizzy heights after beginning life on a dairy farm 150 kms outside Brisbane.
Haiku for Pauline
Warwick maid shuns cows.
Wends her way to B C C
Cream rises to the top.
At our house we have a biennial Lime Festival where Lime is king for a night and all things lime prevail. At the last festival we had a Laiku competition. These were my offerings:
Citrus fruit, one bite
Sends shivers up my spine
Shudders of delight
Lime Haiku 2
Citrus haiku thoughts
Swing gently from my branches
Waiting for harvest
"Lime Dancing"
There's a story on this blog about the lime festival - see October 14 "Carmen Miranda meets the Tea Cosy".
And finally for something completely different - one for those opinionated radio talkback hosts.
Loud mouth
Wallet and ego
Twin bulges in their fat pants
Radio shock jocks
Not a season in sight - though nature does feature strongly in all but the last.
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