Thursday, 20 January 2011

Remarkably simple stories amidst chaos




Natural disasters create as well as destroy. Community members respond in remarkable ways – mostly positive, sometimes amusing, often surprising.

Mary

Mary watches her son and daughter-in-law carry her ancient belongings to the curbside. They are destined for the dump. As I walk by Mary catches my eye. She has retrieved a small battered wooden chair, the remnant of a child’s table and chair set. The chair has been repaired many times. Where there were once nails, mismatching screws now do the job; there is a piece of metal, cut in an odd shape, which holds the frame together like a cast on a broken leg. I see no value in it, nor does her son but Mary guiltily carries it back up the muddy path. That’s an age old game you're playing I say to her, The blokes throwing things out, the women saving things of sentimental value. It was made by my father she confides. Mary is 85 years of age. At least I think it was, she adds with a cheeky inflection.

Priorities.

The morning after the flood-peak the local streets have a ghostly air. It’s like we’re in the eye of a cyclone, waiting for the next onslaught. I walk the deserted streets. The locals have fled. The water is up to the roofline in some low lying streets. The river has found it’s victims and is not yet willing to give up its hostages. On a ridge, only two or three houses above the flood line, a lone figure calmly mows his front lawn. At this moment normal life seems absurd.

Black

Without power and all the familiar landmarks I feel disoriented. As I crest Highgate Hill where Dornoch Terrace reveals the valley below I am shocked to find a void. Where my suburb should be sparkling with lights I see only black. The black is fringed by the distant lights of Indooroopilly to the west and Paddington to the north. It feels like I am descending into an enormous pool of sump oil, still and deep. My headlights cut through the night and guide me down the hill towards Hill End. My family and I are alone on this unfamiliar planet.

Armed with a torch and a candle we find our way through our strange house which has been spared. With relief we find our familiar beds and crawl under the covers calling to each other to check that we are all really here. Then it’s just the frogs.

Quiet

The evenings in Hill End take on a new quality for these few days. No vehicles traverse the streets, no doof doof music pumps from the neighbourhood cars, no voices, no TV sounds wafting from neighbours houses. Not even the sounds of distant trains. Tonight the sunset seems particularly intense, a glass of sauv blanc tastes crisper than before the flood, there is an eagle we’ve never been aware of hunting from the tip of the high rise on the river; the lorikeets are louder; the flying foxes float silently along the chocolate coloured St Lucia reach, the house creaks. Tonight the candles are not adornment.

Andrea and I agree that there are some benefits to this imposed simplicity. Our children are not convinced.

New friends

Sophie, Margaret, Beat, Denise, Cheryl, Michael, Helen, John and John. The streets of Hill End are strangely alive. I have met neighbours I never knew existed; I have spoken to neighbours I knew existed but had never met. I have seen inside the houses of millionaires - the riverfront mansions of architects, investment bankers and doctors. On the opposite side of the road, in the workerscottages in the gully I see the lives of the less well off piled high on the footpath. I have worked alongside strangers; I have walked alongside volunteers from as far away as Byron Bay, the Sunshine Coast, Los Angeles.

We have all been treated with an equal disregard by nature. The river does not discriminate.

Tuesday, 18 January 2011

Magpie 49 - Watermark

This is my mother. The photo was taken in the thirties when she and her girlfriends were "enjoying the war" as young singles in Sydney. It's not as old as Tess's Magpie photo but it does have a double significance this week. Last weekend (15 January) was the tenth anniversary of her passing. We were to gather as a family to mark the day but the floods in Brisbane intervened.

Ironically the image we had used as a metaphor for her life on her funeral card was that of the Brisbane River flowing ever onward. And now here we are, under water.

On the back of the funeral card we had included the recipe for her famed 'Boiled Fruit Cake".

Many have tried and many have failed to reproduce the moist rich flavour which she was able to produce every time. We always suspected that as her parting joke she had surely left out a secret ingredient from the recipe. So, as my tribute to my mother I have, this evening, attempted for the first time, to follow in her boiled fruit cake footsteps. To compensate for the missing secret ingredient I have added, perhaps recklessly, my own additions - which I will share with you not knowing if they will enhance or destroy the masterpiece.

I have dropped in a few pieces of quality dark chocolate; tossed in a handful of blanched almonds and added a half a cupful of almond meal with the flour. Oh, and a dash of rum early in the process - with a whiskey chaser on the side for the cook (irish whiskey of course). The test, as they say, will be in the tasting. The other device she used to fool us was her handwriting which i will leave you to decipher. (I can post a typed recipe if you're interested)

To my mother (written 10 years ago - my mother was a big talker, hence the last line.)

In the photo album with triangular paper corners
You and Clare and Eileen Connolly
Dressed in your hand-stitched pinafores of crepe,
Sepia toned in the rusty colours of the thirties
Off to another dance at the Hyde Park Y
Your faces alive with the fresh expectations of youth.

Sixty years on, in your parting hours
You lay, almost daintily under the bedcovers
Your young girl's frame returned
Your eyes still sparkling with the innocence of an angel
And smilingly, peacefully, you accepted life moment by moment
Generously offering tidbits of memory and sustenance to those around you
Filling the silences with your gentle touch
Reminding us of who we are and where we've come from.

There will be silences when you're gone
More than enough for us to remember you by.

For more writing by writers from across the globe go to Magpie Tales or click on the stamp.

Muddy Waters - Brisbane

Brisbane has been under water for the past week. For a great set of photos taken in the streets closest to mine visit Brisbane Daily Photo. The photographer, Cara, lives down the road and posts a photo of Brisbane every day of the year. This week she has outdone herself - cleaning, filming and living in the midst of chaos.

I was lucky. Our house was above the floodline. The neighbour had water through their lower level but luckily for us our land rises sharply above their property. I've been busy helping neighbours dump their lives on the footpath, moving tons of mud from my local sailing club and helping pump out a lake of water from under a nearby apartment building. More stories to come over the next few days.

This was the scene in the street next to ours. Unbelievable

Thursday, 23 December 2010

Dreaming of a Wet Christmas

It's raining again. Christmas looks like being the wettest and the coolest I can remember 26*C
While the northern hemisphere freezes we drown.
I tried to take some photos of an Australian Christmas but they look like any other Christmas (minus the snow). The Australian touch is the nativity scenewith a central desert Aboriginal painting in the background which actually seems to fit. The painting is from the Santa Teresa community near Alice Springs which was and still is a missionary influenced township.




It's grey skies and rampant green growth looking east from our back door. The river, which is one block from our house, has broken it's banks; the dams are all full; the drought is broken so we can't complain.
Happy Christmas to everyone in blogland.

Friday, 17 December 2010

Magpie 45 - When the chips are down


Mary's off to the casino
she's looking to crack the jackpot,
sick of living in a stable,
fed up with this baby being born again every year,
she wants to move on.

She's an icon in stained glass
in every catherdal on the planet.
But does she benefit?
Does she get the royalties?

Then along comes the big break,
some artist gives her a red casino chip for a halo,
must be worth something.
It's a sign from ..............
she pauses
then sees that the little one has a deck of cards attached to his head
another sign.
This time she's not asking.

The temple of money is close by
and she's making a B-line for it.
She knows how luck works.
She was picked from millions of others
Lucky? Unlucky?
It's a don't ask questions world.
A don't look a gift ass in the mouth
She doesn't hesitate.

The little fella is only young
but he's showing a lot of promise.
He has a gift for numbers.
It's the roulette table she 's got in mind.

There's a concierge at the door.
Sorry luv, no sandals in the gaming room
and no children.
She's been brought up to be humble
but this is really getting up her nose.
Don't you know who I am
she challenges him.
Sorry luv
I don't care if you're the mother of god
I gotta follow the rules.
I didn't make em.
For more Magpie Tales writing click here or on the Magpie Tales stamp

Thursday, 16 December 2010

Vanuatu insights

I just liked this accidental composition. A dive instructor disappears behind a palm frond on Hideaway Island
Back yard of No. 2 Lodge. Palms trees, washing, kava drying in the sun, kids swing. and the managers residence.

Hideaway Island - 15 minutes drive from Port Vila, coral reef fringed, 200 metres from the mainland. I did my first ever Scuba dive here. Enjoyed it apart from the Chinese princess - but that's another story.

Evening light on Port Vila Harbour

The manager's residence No. 2 Lodge

Neighbour to upmarket resort - Poppy's on the Lagoon. Despite western incursions life goes on.

Tropical colours. Wild!

Port Vila Harbour and cyclist. Surprisingly few bicycles.

Public art on a local electricity substation showing pride in the traditional.

Vanuatu - Night of the Dog


This piece should be accompanied by a soundtrack. In fact i have one. Such was the night I am about to describe that at one point, about 2am, I decided to get my voice recorder from my bag and make a tape of the wondrous cacophony which made sleep impossible. If anyone can advise me how to convert cassette tape to audio file and then load it to this blog I could give you a taste. Sadly this is way beyond my technical skills.

Night of the Dog

A Cessna light aircraft engine
whirrs in the corner blasting
cool air across restless bodies
in this small Vanuatu room.

Nurofen dreams of
a slipped disc disaster
gnaw at my brain.
Malaria tablets
rattle on the side-board
warning off blood engorged messerschmits.

A couple of cats
yowling and growling
beneath my window
sing their excruciating love song
tearing my sleep to shreds.

A dog yaps
yip, wiff, yip-yip
in rhythms no orchestra would recognize
yap yap in my head
in my room, under my bed.
haranguing the full moon
with his lament.

Dog cat cessna backpain
rain drums on the tin roof
clattering
spelling out staccato messages
tick tap drip throp-op.
Wind thrashes palm fronds.
The tarpaulin tied to the verandah rail
snaps back and forth
in time with my nurofen nightmare.

The dog barks and barks
through the full nurofen cycle
the Cessna engine buzzes
the air moves
the rain drips
the cats meow themselves to sleep
the palms rustle
my pain subsides
at the sun’s rise and
I understand why dogs
die in countries far away -
ingredients in secret recipes
guaranteed to satisfy
even the most ardent lovers of dog(s).